K-On! Blu-Ray US vs. JP review and comparison (vol 4)

The fourth and final volume of K-On! on Blu-Ray (and DVD) arrives in North America on November 29^th (delayed a week from the original release date – an odd choice, since several online stores have already had it in stock for a while). Containing the “final” episode “Light Music!” as well as the two “bonus” episodes “Winter Days!” and “Live House!”, this release finishes up the first season much as one would expect after having seen the previous three volumes – but before I get to that, I’ll have a look at the final Japanese volume.

Volume 7 of the Japanese Blu-Ray release contains the two “bonus episodes” (episode 12, or the “final episode”, was included on the previously discussed sixth volume) and follows the standard set by the series so far. As usual, the disc comes with a number of physical extras, the biggest this time being the big art box intended to hold all seven volumes.

When first opened, it comes with a sort of cardboard wrap-around which extends from inside the box, keeping the Blu-Ray case in place. The part that wraps around the outside of the box displays the cover image of the seventh volume. When this is removed, the remaining six volumes fit nicely inside.

I can’t truthfully say that I think this art box is a thing of beauty, exactly, but hey – at least you get a box in which to keep the BDs, which is more than I can say for the US release. Disappointing, really, considering most markets in which K-On! was released – be it on Blu-Ray or DVD, or both – got one or more nice boxes to house the collection.

Inside the actual Blu-Ray cover this time are some printed promo materials for K-On! related goods, another four page bio (this time with Ui and Nodoka sharing the spotlight), yet more outfits for the paper dolls that came with previous volumes, another version of the “Fuwa Fuwa Time” sheet music, a Ho-kago Tea Time sticker with the newly designed logo on it (see episode 14) and an Azusa guitar pick. The disc art features Mio, and the cover reverse features Azusa.

Disc specs are more or less the same as usual – 51 seconds’ worth of forced, unskippable company logos on startup, a static background menu screen, AVC encoded 1080p video and uncompressed PCM stereo audio, Japanese subtitles. Bonus features include the expected two audio commentaries per episode – one featuring members of the production staff and the other featuring the cast, another Uraon! short (this one about the HTT girls’ winter days) as well as creditless versions of the ending animation sequence and the second opening sequence.

With that out of the way, it’s time to check out Bandai’s US version and see how it fares in comparison. First of all, the cover art is the same as that of the final Japanese volume, fittingly enough.

As before, the US edition comes with absolutely nothing in terms of physical extras. The disc art this time features – as one might guess – Mugi’s keyboard. The company logos on the disc are, mercifully, skippable and the menu follows the established style with clips from the episodes contained on this volume playing in the background.

The episodes themselves are presented again with lossy Dolby Digital audio at 192 kbps which, again, is not at all surprising at this point although it’s still unfortunate. Video looks good for the most part, although there is the occasional ugly banding (in fairness, this is also present on the Japanese disc). The subtitles are good, although there are a couple of oddities – for one thing, during the flashback scene in episode 12 where young Nodoka is seen watching a kids show on TV, the dialogue from the TV is subtitled but at one point they stop translating and say “Kid’s show continues until cut, but it’s ad-libbed”. That’s fine, but why even bother to explain that in the subtitles? The dialogue is inaudible anyway, no one would have noticed. My guess is, this line was never meant to make it into the final disc and someone made a mistake. The second oddity is a little inconsistency in regards to how the title and the phrase “Fuwa Fuwa Time” is handled. In previous volumes, and in episode 12 here; it is left untranslated. In episode 14, however, it’s subtitled as “Fluffy Time”. Now, I have no problem with the fact that they give the song an English name – after all, they did the same with the other HTT songs so it’s actually rather strange that they didn’t do it for this one until now – it’s just puzzling that, well, they did it at this point.

As before, the disc contains absolutely none of the bonus features from the Japanese Blu-Ray. Bandai confirmed on Twitter recently that they “weren’t allowed to” include the textless opening and ending sequence, and it stands to reason that the same is true for the other extras as well. This is very unfortunate indeed, as it ensures that the only bonus features on here are the ones produced by Bandai themselves and thus only of (possible) interest to dub fans. In other words, there is nothing here for fans of the original version, like myself.

As for what is here – well, I won’t criticize it too harshly because it’s better than nothing, and I know there are some people who do enjoy this stuff though I can not for my dear life understand how. We get a “music video” (read: a senseless montage of random clips from the episodes on this volume) of an English version of “Brush Pen, Ballpoint Pen”. Oddly, the song is not performed by Cristina Vee even though it’s Mio who sings this song in the anime. I can’t quite place the voice that is singing – if it’s Stephanie Sheh, which is the most likely candidate, then I have to say she fails pretty hard at singing with Yui’s voice, if she is even attempting to do so. She sounds absolutely nothing like Yui, even American!Yui, here. Next we get an interview with Shelby Lindley, the American dub voice for Mugi, in which she is asked the same boring questions as the other three cast members were asked in their interviews. Finally, there’s the same trailers for other anime DVD releases as the first three volumes contained.

Screenshot comparisons: (Japanese BD first, US BD second)

This marks the end of Bandai Entertainment’s American release of K-On!’s first season, and although it has been disappointing in some regards it’s still nice to finally have it complete. And I, for one, hope that a license of the second season won’t be too far behind.

K-On! Blu-Ray US vs. JP review and comparison (vol 1)

It’s been a year now since Bandai Entertainment announced their acquisition of the US license for K-On!, and this spring they finally got around to releasing the first volume on DVD and Blu-Ray disc. That was two and a half months ago, and volume 2 is released today. So, have the American edition of K-On! been worth the wait? I’m going to address that question by doing a comparison between Bandai’s release and its Japanese equivalents.

First off, here’s a look at the first Japanese Blu-Ray volume, containing the first two episodes.

I’ll say this up front: This thing doesn’t come cheap. List price is a whopping 7980 yen (about 98 USD with today’s exchange rate), and that’s just for the first volume. The entire first season consists of 7 volumes in total, so anyone considering this version should be aware that their wallet will hate them for it for a long time.

As seen in the picture above, the Japanese Blu-Ray case for K-On! is actually pink rather than the standard blue. It’s something I could do without, personally (Pink?! Why a pink case, of all things? It’s not a Pink-Ray disc!) but a lot of people seem to like it. The pink is actually semi-transparent so when the case is opened, you can see the print on the backside of the cover inlay, which features a series of drawings of Yui.

First thing you’ll notice when opening it, though, is that it contains some other stuff besides just the Blu-Ray disc. There’s what appears to be a card meant to be mailed in for, I believe, some sort of contest, but the actual extras here are the four-page pamphlet with character bio and facts about Yui, a guitar pick (because naturally, anyone who’s a fan of K-On! plays guitar) with the K-On! logo on one side and a picture of Yui on the other, an “un-tan” sticker (…yeah.) a Yui paper doll (well, it would be a paper doll if you actually cut it out) and a miniature print of two (one on each side) of the posters Mio, Mugi and Ritsu made to advertise the Light Music Club in the first episode.

The surface of the disc itself features a fun image of Yui nom nom nom’ing on a snack.

When you start up the disc, the first thing you get is a series of company logos that last for about a minute combined. Unfortunately, these are not skippable so you have to sit through them each time you play the disc, unless your player resumes from where you stopped on your last watch. This would be my one real issue with the Japanese discs, but to be fair it’s not much more than a minor annoyance.

After the logos, you are taken straight into the show and the two episodes play continuously one after the other. You are not presented with any menus prior to watching, though you can of course access them at any time.

The audio and video quality is as good as K-On! will ever get. The picture is absolutely flawless from what I can tell, sharp and vibrant. Audio is presented in lossless and uncompressed LPCM stereo.

The menus are presented over a simple background still image. Tasteful, but perhaps a little boring. A piece of music from the OST plays over the main menu, specifically the “Have some Tea?” track which is easily identified as the music that plays during the “Next Episode” previews. Menu choices include episode/chapter selection, subtitle options (Japanese on/off only), audio options (episode audio, cast or staff commentary) and video extras.

The two audio commentary tracks are both presented in PCM 2.0, just as the episodes themselves. The cast commentary features the cast members for the four original K-On! girls, and the staff commentary various members of the production staff (as one might guess). In later volumes, the cast commentaries usually feature the same people (with the notable addition of Ayana Taketatsu later on, after her character is introduced) while participants in the staff commentaries vary from volume to volume.

Video extras for this volume include an interview with the voice of Yui; Aki Toyosaki, and the first Uraon! episode.

The interview runs for 17 minutes and, I’m sure, would be very interesting and/or entertaining if one understood Japanese.

The other video extra is the first episode of Uraon!, a series of short and crudely drawn “mini-episodes” featuring the K-On! gang in brief and sometimes weird gags. This first episode is called “Yui’s Curiousity” and features three vignettes with Yui wondering about various random aspects of her fellow Light Music Club members.

That is pretty much it for volume 1, but since the US volume 1 contains twice the amount of episodes compared to the Japanese one (a whopping four vs. a measly two), the contents of volume 2 need to be taken into account as well before we move on to the US version. After all, US Vol.1 = JP Vols. 1 + 2.

Where the first volume was Yui-themed, volume 2 is Ritsu-themed. The inside of the cover features drawings of Ritsu the same way the first cover had drawings of Yui. Inside is another character bio; about Ritsu this time, a Ritsu paper doll and another guitar pick with the K-On! logo on one side and Ritsu’s face on the other. Furthermore, there’s a “Moemoe Kyun” sticker for you to place on your briefcase and confuse the hell out of your co-workers with, and the last of the three posters the girls made in the first episode. Printed on the backside is Yui’s club application form.

The disc art continues the “stuff your face with disc-shaped snacks” theme from volume 1, but with Ritsu (who else?) getting to be the lucky club member having a happy foodful time on volume 2.

The content on the disc is presented the same way as before. Forced company logos, static menu (different background picture, same music), excellent audio/video, two audio commentaries. Episodes numbers three and four are included on the disc. The Uraon! short this time is called “Ricchan’s Kodak Moment Series” (that’s what the fansub I’ve seen calls it, anyway) and takes place during the group’s training camp in episode 4. The “plot” involves Ritsu taking embarrassing photos of the other members and getting herself murdered for her troubles.

(Naked Yui FTW?)

With that out of the way, let’s have a look at the North American version of K-On!. First of all; the picture on the cover of the first volume is the same as that of the first Japanese volume. The Blu-Ray case, however, is a standard blue one which is fine with me but disappointing for some.

With the US version, however, there are no physical extras whatsoever, not even the oh-so-common printed promo material for other Blu-Ray releases. The only thing inside the cover is the Blu-Ray disc itself (unless you count that alarm thingy, I suppose). The label doesn’t follow the character theme of the Japanese discs, but instead shows artwork of Yui’s guitar.

On this version, you are forced to sit through a generic anti-piracy warning and the Bandai logo before proceeding. Unlike the Japanese version, the disc then takes you to the main menu (Fair warning: When playing the disc on a PC, mouse control is not supported) which is quite unlike its Japanese equivalent. It’s an actual animated menu, showing clips from the four episodes contained on the disc, set to a piece of music (which is the same one as on the Japanese menus).

The episodes themselves hold very good video quality. Personally, I can’t see a difference between these and the Japanese versions (aside from the fact that the credits have been re-done in English). That’s not to say there isn’t any difference in quality, I’m just saying I’m not seeing it on my 46” screen.

On the audio side, however, the US version is lacking. The best Bandai has seen fit to present us with is a lossy Dolby Digital soundtrack (well, two to be precise) encoded at 192 Kbps. The bigger issue, however, is the… (shudder) …music replacement.

Remember this scene? In the first episode, as Yui is contemplating joining the Light Music Club, the three existing members decide to perform for her in an attempt to recruit her. In a classic K-On! moment, they play an instrumental version of Tsubasa wo Kudasai only to have Yui inform them they’re not actually good.

Well, in the original version, they did, anyway. In the North American edition, the song has been replaced – and this is true both for the Japanese language audio track as well as the English dub included on the disc – by another song, specifically Aura Lee (perhaps better known is Elvis Presley’s version; Love Me Tender). Why was this done? Don’t know. No one from Bandai has commented, or even acknowledged the alteration.

Personally, I’m pretty pissed about this. The lack of lossless audio on the Blu-Ray is unfortunate, but something I can live with. The fact that none of the extras from the Japanese version made it to the US (yeah, they’re not on here. No Uraon! for American K-On! fans.) is disappointing. But to actually replace a musical number performed in the anime? Unacceptable.

But the US edition still has a couple of advantages over the Japanese version. Arguably most important is the fact that the Japanese discs feature no translation of any kind, it’s in Japanese only – whereas the US version features not only English subtitles but an English dub as well, for the reading impaired. Secondly is the fact that the Japanese version is hellishly expensive by comparison. The first two volumes combined would cost close to $200, and that’s just four episodes – the same four episodes contained on the first US volume (though not in their original, unmolested state), which sells for a mere $34.98 (list price).

As far as extras go, the US edition has nothing except a ten minute interview with Stephanie Sheh, the voice of Yui in the English dub. I suppose that may be of interest if you’re a dub fan. I am not. There are a few trailers for other anime titles listed as “extras”, but frankly, they just don’t count.

If there is any conclusion to be had here, it’s that the Japanese editions are perfect for collectors who don’t mind spending a bit of cash and don’t mind the lack of an English (or any) translation. With superb audio and video quality, they are the perfect presentation of the episodes, and it doesn’t hurt that it comes with a pile of fun little physical extras, useless though they might be. On top of that, you get two audio commentaries per episode, one Uraon! episode on each disc and the Aki Toyosaki interview.

If you’re a regular ol’ fan who doesn’t want to bleed your wallet dry and/or are dependent on an English translation, the US version will probably have to do. What it lacks in presentation of the material (and it lacks a lot) it makes up for in being the only viable choice for most people. Bottom line – if you can stomach the horrible music replacement in episode 1, you should be fine.